Nome dell'autore: Anglistica

AIA Interviews: Mariaconcetta Mirto in conversation with Francesco Nacchia

AIA Interviews: Mariaconcetta Mirto in conversation with Francesco Nacchia In this video of the AIA Interviews series, Mariaconcetta Mirto sits down with Francesco Nacchia to discuss his latest book, “The Taste of Sustainability: A Corpus-Assisted Comparative ESP Analysis of Promotional Tasting Notes for Conventional and Alternative Wines”.  Link to the book: Articolo : THE TASTE OF SUSTAINABILITY

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CFP AIA Seminar 2026, Genoa May 14-15, 2026

Time and Temporalities. Linguistic, Literary, and Cultural Perspectives We are pleased to announce that the 2026 AIA Seminar “Time and Temporalities: Linguistic, Literary, and Cultural Perspectives” will be held on May 14-15, 2026, at the University of Genoa. In contemporary theoretical discourse, time is an increasingly central category which conceives of the present as a complex cultural matrix where multiple intersecting temporalities interact and vie for attention. Our two-day seminar on “Time and Temporalities” aims to explore aspects of time as it relates to cultural, literary and linguistic contexts, both historical and contemporary, and from theoretical, applied and experimental approaches. We invite 15-minute papers that engage with, but are not limited to, the following themes: Linguistics Literature/Culture Contributions from established scholars, early-career researchers, and PhD students are welcome. The oral presentations will be 15 minutes long, followed by 5 minutes for discussion. Please submit an abstract to aia.seminar.unige@gmail.com. It should be of no more than 500 words including references, clearly indicating the research question, data, methods, and major contributions of the study. The deadline for submission is 30 March 2026. Acceptance notification will be sent by 15 April 2026. REGISTRATION FEESEur. 90,00 (standard); Eur. 75,00 (PhD students only)Details on the registration procedures will follow. We look forward to welcoming you to Genoa and having a productive and enriching conference. Keynote speakers: Linguistics: Prof. Martin Hilpert (Università di Neuchâtel) and Prof.ssa Roberta Facchinetti (Università di Verona). Literature: Prof. Andrew Bennett (University of Bristol) Cultural Studies: Prof. Fabio Cleto (Università di Bergamo)

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Call for Abstracts for Edited Volume Language and Food: Macro, Meso and Micro Analysis of Food Discourse

Editors: Takako Kawabata tk70@soas.ac.uk Daniela Cesiri daniela.cesiri@unive.it Call for Abstracts Overview and scope Language and food both function as semiotic systems that rely on shared conventions to convey meaning and to organize social life. As Roland Barthes (2008: 24) argued, food is not simply nourishment but “a system of communication, a body of images, a protocol of usages, situations, and behavior.” In much the same way, language is never a neutral tool. It structures perception, mediates social relationships, and encodes the values, hierarchies, and ideologies of a community. Eating, just like a form of communication such as language, is therefore always both a material and a symbolic act. The parallels between language and food extend across social, cultural, and political dimensions. Both are shaped by norms that define what counts as appropriate, authentic, refined, or desirable. Bourdieu’s (1984) work on taste demonstrates how linguistic and culinary preferences function as forms of cultural capital, marking social distinction and reproducing inequality. Accents, registers, and genres may index prestige in language, just as particular cuisines, ingredients, or eating practices do in food cultures. Language and food are also powerful resources for identity-making (Gordon & Tovares, 2024). Through the ways in which people speak about food, choose what to eat, and represent culinary practices, individuals and communities express belonging, difference, and hybridity. As Appadurai (1981) and Cabral et al. (2025) argue, gastro-politics highlights how food practices are deeply entangled with power, nationalism, and globalization, while sociolinguistic work on style and performance shows how identities are actively produced through linguistic choices (Coupland, 2007). These processes are especially visible in contexts of migration, tourism, media circulation, and cultural branding, where food and language travel together and acquire new meanings in order to shape a certain image of the destination and, thus, attract the prospective visitor’s or customer’s attention. The relationship between language and food begins early in life, when cries and gestures signal hunger and comfort, and continues throughout adulthood in everyday practices of shopping, cooking, ordering, evaluating, and sharing food. Genres of food discourse, ranging from family mealtime conversations to restaurant menus, cookbooks, television shows, and online reviews, shape how taste, authenticity, health, and value are understood (Gerhardt, 2013). As Barthes (2008) again notes, food-related meanings must be studied wherever they appear, in economic practices, technologies, advertising, and in the mental and symbolic life of society. Both language and food are dynamic and constantly changing. They are reshaped through contact, migration, and media, and they circulate within broader political and economic structures. The borrowing of words parallels the blending of cuisines, while discourses of “proper language” and “authentic food” often serve to legitimize certain norms and marginalize others. This fluidity challenges static understandings of culture and value and calls for a process-oriented approach to meaning-making that accounts for circulation, contestation, and change (Järlehed & Moriarty, 2018). Bringing these domains together, the interdisciplinary field of language and food studies examines how practices of speaking, writing, and representation intersect with practices of eating, cooking, and sharing (Riley & Paugh, 2018). At a global scale, food discourse plays a central role in constructing cultural identity, nationalism, and belonging. Cuisines are marketed as authentic for tourism, culinary terms move across languages, and food metaphors permeate political speech and everyday idioms. As researchers demonstrate, food circulates alongside discourse, shaping values and power relations at both local and global levels (Scarpato & Daniele, 2004). This edited volume aims to advance and consolidate the growing field of language and food studies by bringing together interdisciplinary perspectives from linguistic anthropology, sociolinguistics, discourse studies, food studies, cultural studies, and communication research. The volume explores the co-constitutive relationship between language and food and examines how they jointly produce, circulate, and transform meaning and value in social life (Karrebæk et al., 2018). Food is approached not only as a material object or cultural practice, but also as a communicative resource through which identities, emotions, moral positions, and political stances are expressed. The main aims of the volume are fourfold. First, it seeks to consolidate scholarship on language and food by showcasing a wide range of empirical and theoretical approaches. Second, it aims to foster dialogue across disciplines by building conceptual bridges between sociolinguistics, linguistic anthropology, discourse studies, and food studies. Third, it foregrounds global and multilingual perspectives, highlighting case studies from diverse cultural and linguistic contexts. Finally, the volume aims to serve as a valuable resource for scholars, students, and practitioners interested in how language and food intersect in everyday life, institutions, and global processes. What We’re Looking ForWe invite contributions that analyze food discourse at the micro, meso, and/or macro levels. We welcome both empirical and theoretical works that reflect a wide range of approaches and methods. Contributions from all relevant disciplines are encouraged, including linguistics, sociology, political science, economics, tourism studies, and ecology. Possible topics include, but are not limited to, the following: Micro Level: Producers, Consumers, and IndividualsThis level focuses on how individuals and small groups produce, interpret, and negotiate food-related meanings through language in specific contexts, such as:• Everyday food talk (ordering, tasting, evaluating, recommending)• Language, taste, and sensory experience• Food, emotion, affect, and memory• Storytelling around food• Identity performance through food discourse• Digital food practices (reviews, vlogs, and social media posts)• Multilingual and intercultural food practices Meso Level: Institutions, Organizations, and CommunitiesThis level examines how institutions and communities shape, regulate, mediate, and standardize food-related discourse, such as:• Community-based food practices• Professional and institutional food discourse• Norms, expertise, and authority in food communication• Heritage food organizations and certification bodies• Alternative food networks• Media and mediated representations• Media genres (menus, cookbooks, food journalism, television shows) Macro Level: Ideologies, Histories, and PoliciesThis level addresses how food-related meanings are shaped by broader ideological, historical, and political-economic forces, often operating across borders and over time, such as:• Heritage, authenticity, and tradition• Political economy of food• Governance, regulation, and power• Food in nationalist, populist, and geopolitical discourse• Colonial and postcolonial food histories• Migration, globalization, and cultural identity• Crisis, sustainability, and environmental discourses Submission GuidelinesPlease submit an

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CFP CLAVIER STUDY DAY Evolving Discourses and Specialized Communication in Societal and Environmental Transformation: Linguistic Insights in the Age of AI (29 May 2026 – Faculty of Economics Sapienza University)

CFP CLAVIER STUDY DAY Evolving Discourses and Specialized Communication in Societal and Environmental Transformation: Linguistic Insights in the Age of AI (29 May 2026 – Faculty of Economics Sapienza University) Read More »

Call for Applications:  Summer School in “Digital Humanities and Digital Communication: Managing uses (and misuses) of AI”

The organizers are happy to announce the 8th edition of our Summer School in Digital Humanities and Digital Communication, which will be hosted by the Department of Studies on Language and Culture of the University of Modena and Reggio Emilia, in collaboration with the Fondazione Marco Biagi and with the patronage of the Italian Association for the Study of English (AIA). As part of the Doctoral Programme in Human Sciences, the Summer School aims to provide PhD students and young researchers with methodological tools for the study of digital communication and data analysis. The focus of this year’s edition is on the uses and misuses of AI in academic research, with particular attention to how AI-driven tools are reshaping data analysis, textual interpretation, teaching practices, and knowledge production in the humanities. While AI enables unprecedented speed, scale, and efficiency in research, it also raises substantial methodological, ethical, and epistemological concerns that cannot be ignored. Abstract submission deadline: March 20th Notification of acceptance: April 30th Dates: June 8th-12th, 2026 Location: Modena, Italy Registration fee: € 150,00 Further information can be found here: https://www.summerschooldigitalhumanities.unimore.it/

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CFP ESSE 2026 Seminar n. 14.- Beyond Words: Literary, Cultural, and Linguistic Multimodality in Joseph Conrad’s Narratives (deadline 31 January 2026)

14.- Beyond Words: Literary, Cultural, and Linguistic Multimodality in Joseph Conrad’s NarrativesJoseph Conrad’s narratives serve as a compelling case study for multimodal exploration, blending literary, linguistic, and cultural dimensions into rich, evocative works. This seminar examines how multimodal approaches illuminate Conrad’s complex storytelling, focusing on the interplay between linguistic structures, literary techniques, and cultural contexts. By studying works such as Heart of Darkness and Lord Jim through a multimodal lens, we uncover the myriad ways Conrad crafts narratives that resonate across boundaries of language, imagery, and ideology. From a linguistic perspective, Conrad’s use of layered language – marked by subtleties, ambiguities, and multilingual influences – offers insights into the tension between precision and interpretation, a hallmark of his writing style. For instance, the frequent inclusion of polysemous expressions and deliberate syntactic disruptions mirrors the fragmented realities his characters endure. Such linguistic strategies reflect Conrad’s own experience as a polyglot navigating cultural and linguistic hybridity, lending his texts an inherent multimodal quality. Literary criticism highlights Conrad’s innovations in narrative form and technique, such as his use of frame narratives and unreliable narrators, which invite readers to engage critically with his texts. These devices create a multimodal interplay between textual layers and meanings, fostering a dynamic interpretative process. For instance, Conrad’s frame narrative in Heart of Darkness juxtaposes oral storytelling with textual accounts, producing a narrative experience that transcends singular modalities. On a cultural level, Conrad’s thematic focus on colonialism, modernity, and existential angst provides fertile ground for multimodal analysis. The cultural contexts embedded in his works – whether through geographical descriptions, historical references, or ideological critiques – reveal a depth of engagement that transcends mere storytelling, creating a network of semiotic connections. In such context, multimodal analysis enriches traditional literary criticism by incorporating visual, auditory, and cultural dimensions, reflecting the complexity of contemporary textual interaction in an increasingly digitized and globalized world. This seminar underscores the potential to engage with recent critical approaches, highlighting how multimodal analysis aligns with contemporary emphases on interdisciplinarity, cross-cultural perspectives, and the integration of diverse media forms. By integrating linguistic precision, literary criticism, and cultural analysis, this seminar not only deepens our understanding of Conrad’s works but also underscores the significance of multimodality as a framework for exploring literature in its broadest dimensions. CONVENORS:

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Nuovo Premio per la Traduzione Poetica “Benno Geiger” 2026 (scadenza 30 giugno 2026, candidature da parte delle case editrici)

Nuovo Premio per la Traduzione Poetica “Benno Geiger” – 2026 Informiamo che è uscito il nuovo bando per il Premio destinato alla Traduzione Poetica in memoria di Benno Geiger offerto dalla Fondazione Giorgio Cini, da assegnare a una traduzione italiana di opere poetiche da lingue occidentali antiche, medievali e moderne pubblicate negli ultimi due anni.La Giuria del Premio è formata da scrittori, critici, docenti universitari ed esperti di traduzione: Proff. Elena Agazzi, Franco Buffoni, Snežana Milinković, Alessandro Niero, Pietro Taravacci. Presiede la Giuria il Professor Francesco Zambon. Possono concorrere al Premio le opere poetiche di autori stranieri tradotte da lingue occidentali antiche, medievali e moderne pubblicate per la prima volta in volume nel biennio 1 giugno 2024 – 31 maggio 2026 e regolarmente in commercio in formato cartaceo o e-book. All’opera premiata viene attribuito un premio in denaro del valore di 4.000 euro. La Giuria attribuirà altresì un premio in denaro del valore di 1.000 euro ad un’opera prima o a un giovane traduttore. Gli Editori che intendano partecipare al Premio sono invitati a contattare la Segreteria del Premio per conoscere gli indirizzi dei Giurati a cui inviare il volume o i volumi in concorso entro il 30 giugno 2026 – scrivere a: premiogeiger@cini.it

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