CfPs: Journals

Cross-Media Languages. Applied Research, Digital Tools and Methodologies: Issue 3 online and Call for Papers for Issue n. 4

È online il numero 3 (2025) della rivista accademica internazionale double-blind peer-reviewed, Cross-Media Languages. Applied Research, Digital Tools and Methodologies (E-ISSN: 2974-8933).Il numero è consultabile open-access all’indirizzo: https://ojs.uniba.it/index.php/cml/issue/view/207 È attiva la call per il terzo fascicolo, di cui si possono trovare i dettagli nella sezione “Call for papers”, all’indirizzo: https://ojs.uniba.it/index.php/cml/pages/view/callpapers Data di invio delle proposte corredate da abstract: 20 giugno 2025. Il n. 4 (2026) uscirà nella primavera del 2026. The third issue (2025) of the double-blind peer-reviewed journal Cross-Media Languages. Applied Research, Digital Tools and Methodologies (E-ISSN: 2974-8933) is now online!The full issue can be browsed at: https://ojs.uniba.it/index.php/cml/issue/view/207 The call for papers for the fourth issue is now open: https://ojs.uniba.it/index.php/cml/pages/view/callpapersThe deadline for the submission of abstract proposals is 20th June 2025. Issue no. 4 is scheduled for publication in spring 2026.

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CFP From the European South Issue 19 | Special Issue: Dark Tourism in Colonial, Postcolonial and Decolonial Contexts: Topographies of Suffering, Narrative Constructions and the Consumption of Place(s) | Fall 2026

Guest Editors: Eleonora Federici (University of Ferrara) and Marilena Parlati (University ofPadova) From the European South invites submissions for a special issue dedicated to exploring dark tourism in colonial, postcolonial and decolonial contexts, with a particular focus on the role literature, language, museum culture and storytelling in general may have in representing, but also cordoning off, global topographies of suffering, such as sites of catastrophes, genocide, environmental change and neocolonial exploitation. The editors of this issue aim to critically examine the complex relationships between dark tourism and colonial legacies, postcolonial realities and imagined communities, and also the possibilities entailed by decolonization processes. We specifically seek contributions that analyze how dark tourism sites are experienced, consumed and represented, especially in relation to the Global South.With reference to publications about dark tourism (Lennon and Foley, Dark Tourism, the Attraction of Death and Disaster 2000; Sion, Death Tourism Disaster as Recreational Landscape 2014), we wish to analyse how sites associated with death and disaster (assassination, slavery, genocide, war, tragic events) become tourist attractions. Linguistic, visual and multimodal elements help to create a representation of these sites as places of memory, education, but also, quite controversially, leisure.We are also interested in the ways in which the consumption of ‘shadow zones’ shapes these processes, both in the present and in a future-oriented perspective. We are aware that no singling out of ‘one’ memory is less than intensely debatable, since any past idea about national memory as cohesive and intrinsic has luckily often – although not everywhere – been dismantled. Thus, we would also welcome papers that help usher in discussions on the risk that memory sites (dark, in particular) may serve to reinforce overpowering ‘invented traditions’ and monolingual master narratives (see Derrida, The Monolingualism of the Other 1998). We suggest a few potential areas of focus which include, but are not limited to:● The influence of literature on the experience, interpretation and discursiverepresentation of dark tourism sites● The impact of colonial and postcolonial literatures on dark tourism site representationand vice versa● The role of fiction and non-fiction in shaping visitor expectations and experiences● Written narratives, on-site storytelling, multi-format (including digital) narratives indark tourism● Digital consumption of dark tourism places: virtual tours and social mediarepresentations● Linguistic and multimodal strategies in tourism texts (on site texts; leaflets,brochures, websites, blogs, social media)● The role of art and tourism discourse in commemorating and interpreting sites oftrauma, also in relation to reconciliation processes● Resistance, resurgence and/or reconciliation in dark tourism sites: mappingtopographies of suffering in colonial and postcolonial contexts● Tourism and postcolonial memory: the commodification of traumatic pasts, and therole of dark tourism in (postcolonial) nation-building and place branding● Indigenous tourism and dark sites: negotiating consumption, sacredness, andresistance● Shadow zones: Conflicting narratives and dissonant memories in colonial,postcolonial, decolonial dark tourism sites● ‘Authenticity’ and staged experiences in colonial/postcolonial/neocolonial darktourism sites● Intergenerational transmission of guilt, shame, and responsibility through darktourism● Dissonant memories: managing, re-presenting, revisiting conflicting historicalnarratives● Indigenous cosmologies and their integration in (or exclusion from) dark tourismnarratives We welcome contributions from various disciplines, including but not limited to: anthropology, cultural studies, gender studies, geography, history, literary studies, media studies, museum and heritage studies, philosophy, political science, postcolonial studies, religious studies, sociolinguistics, sociology, translation studies, tourism studies, urban planning. Please submit your abstract (500 words) and a brief bionote by Wednesday 1 October 2025 to both Eleonora Federici (eleonora.federici@unife.it) and Marilena Parlati (marilena.parlati@unipd.it).Notification of acceptance will be communicated by Monday 1 December 2025, with completed papers due 1 March 2026. FES 19 will be published in Fall 2026. https://www.fesjournal.eu/call/issue-19-special-issue-dark-tourism-in-colonial-postcolonial-and-decolonial-contexts-topographies-of-suffering-narrative-constructions-and-the-consumption-of-places-fall-2026/

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CALL FOR PAPERS for Volume 30 of the European Journal of English Studies to be published in 2026

Accessing Shakespearean Drama through (Re)translation and Audiovisual Adaptation in the 21st Century Guest editors: Judit Mudriczki (Károli Gáspár University, Hungary) and Irene Ranzato (Sapienza University of Rome, Italy)Recent developments in adaptation studies, audiovisual translation and retranslation studies as well as the spread of concerns about accessibility and inclusiveness in academic and professional circles have called attention to the variety of intercultural and multimodal transfers of meaning in Shakespearean drama. This special issue invites discussion to explore a wide range of translation practices that shape and promote Shakespeare scholarship in the 21st century from various points of view. While shifting attention from performability of drama texts to meeting the needs of audiences with different linguistic and cultural backgrounds, we perceive the concept of accessibility inthree different ways. First, we are interested in intralingual translation and retranslation practices that have long made Shakespeare’s plays available in languages other than English. As these practices are influenced and shaped by cultural factors, for example, censorship or canonization, we welcome case studies that discuss translation flows from an interdisciplinary perspective. Second, stage and film adaptations play a crucial role in bridging the distance between drama texts written for an audience in the early modern period and audiovisual performances in the 21st century. Third, as a result of such AVT practices as subtitling for the deaf and hard of hearing or audio description, even hearing or visually impaired persons have been provided with access to media content including Shakespeare adaptations. The aim of this journal issue is to study how all these translation practices extend our understanding of the cultural dynamics of Shakespeare’s legacy today, as well as throw light on how re-interpretations of Shakespeare through language and media point towards the ever-changing landscape of global identities, technologies, and values. We welcome contributions that bring together discussions from translation studies, film studies, media studies, cultural theory, and/or performance studies, etc., and address (but are not limited to) the following topics: • translation flows of Shakespearean drama in the 21st century,• interlingual translation and retranslation practices,• intersemiotic translation and adaptation,• the role of translation and adaptation in canonization,• censorship and ideological manipulation in translation,• the presence of postcolonial concerns in Shakespeare translations,• inclusiveness and media accessibility of Shakespeare adaptations,• audiovisual translation practices of screen adaptations,• audio description and subtitling of Shakespeare on screen,• surtitling Shakespeare performances. Detailed proposals (up to 1,000 words) for full essays (approx. 7,500 words), as well as a short biography (max.100 words) should be sent to both editors by 20 April 2025: Judit Mudriczki (mudriczki.judit@kre.hu) and Irene Ranzato (irene.ranzato@uniroma1.it) EJES operates in a two-stage review process.1. Contributors are invited to submit proposals for essays on the topic in question by 20 April 2025.2. Following review of the proposals by the editorial board panel, informed by external specialists as appropriate, the guest editors will invite the authors of short-listed proposals to submit full-length essays for review with a summer 2025 deadline.3. The full-length essays undergo a second round of review, and a final selection for publication is made. Selected essays are revised and then resubmitted to the guest editors in late 2025 for publication in 2026. EJES employs Chicago Style (T&F Chicago AD) and British English conventions for spelling. For more information about EJES, see: http://www.essenglish.org/ejes.html and https://[www.tandfonline.com/toc/neje20/current]www.tandfonline.com/toc/neje20/current

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International Journal of Language Studies – Call for Papers: Shaping Value, Crafting Identity: Promotional and Identity-Building Strategies in Jewellery and Goldsmithing Businesses

Editors: Emilia Di Martino (Università di Napoli Suor Orsola Benincasa), Antonella Napolitano(Università di Napoli L’Orientale)We are pleased to invite contributions to a Special Issue of the International Journal of LanguageStudies (IJLS) dedicated to exploring the landscape of promotional and identity-building strategies inthe jewellery and goldsmithing industries. This Special Issue aims to bring together interdisciplinaryperspectives on how firms in these sectors construct and communicate their brand identities, craftnarratives of value, and engage with diverse audiences in an increasingly competitive global market.In an era of digital transformation and growing consumer consciousness, jewellery and goldsmithingbusinesses face both challenges and opportunities in articulating their heritage, luxury, andauthenticity. Through a critical lens, this Special Issue welcomes contributions that examine theinterplay of language, visual rhetoric, and cultural symbolism in shaping brand narratives andinfluencing consumer perceptions. We particularly encourage submissions that draw on CriticalDiscourse Analysis, semiotics, and narrative studies to explore the mechanisms of meaning-makingin promotional discourse.We invite scholars, business professionals, and practitioners from a range of disciplines—includingmarketing, communication, cultural studies, design, business management, and art history—to submitpapers addressing, but not limited to, the following themes:▪ Brand Identity and Heritage: How historical narratives, artisanal craftsmanship, and culturallegacies are mobilized through specific discursive practices to create distinctive brandidentities.▪ Visual and Aesthetic Communication: The role of design, photography, digital imagery, andmultimedia storytelling in constructing and negotiating brand narratives.▪ Luxury Branding and Value Perception: The linguistic and visual strategies that communicateexclusivity, authenticity, prestige, and value in the luxury market.▪ Digital Transformation: The impact of social media, e-commerce, and digital marketing onthe evolution of promotional discourse and consumer engagement.▪ Sustainability and Ethical Practices: How brands articulate corporate social responsibility,ethical sourcing, and sustainability within their promotional narratives, and how these shapepublic perceptions.▪ Consumer Engagement: The use of storytelling, influencer collaborations, and experientialmarketing as strategic tools for fostering dynamic interactions with audiences.▪ Cross-Cultural Branding: Strategies for maintaining brand coherence while adaptingpromotional narratives across diverse cultural and international markets.Please submit an abstract of 300-500 words outlining the focus, methodology, and key arguments ofyour proposed paper. Include a 150-word bio highlighting your academic background, professionalexperience, and relevant publications.Abstract Submission Deadline: 15 April 2025Notification of Acceptance: 30 April 2025Full Paper Submission: 15 August 2025Please send your abstracts and biographical notes to emilia.dimartino@unisob.na.it andanapolitano@unior.it with the subject line “CFP Submission: Shaping Value, Crafting Identity.”ReferencesBhatia, V. (2008). Generic patterns in promotional discourse. In Persuasion across genres: Alinguistic approach (pp. 213-225). John Benjamins Publishing Company.Cappellieri, A. (2020). Jewellery between product and experience: Luxury in the Twenty-Firstcentury. In L. Tenuta, S. Testa, A. Cappellieri, Sustainable Luxury and Craftsmanship.Springer, 1-30.Cappellieri, A. (2021). Diva! Il Glamour Italiano nel Gioiello Moda. SilvanaEditoriale.Caves, R. E. (2000). Creative industries: Contracts between art and commerce. Harvard University.Holt, D. B. (2002). Why do brands cause trouble? A dialectical theory of consumer culture andbranding. Journal of consumer research, 29(1), 70-90.Dlaske, K. (2015). Discourse matters: Localness as a source of authenticity in craft businesses inperipheral minority language sites. Critical Approaches to Discourse Analysis acrossDisciplines, 7(2).Kapferer, J. N. (2014). The artification of luxury: From artisans to artists. Business horizons, 57(3),371-380.Kapferer, J. N. (2012). The luxury strategy: Break the rules of marketing to build luxurybrands. Hogan Page.Ko, E., Costello, J. P., & Taylor, C. R. (2019). What is a luxury brand? A new definition and reviewof the literature. Journal of Business Research, 99, 405-413.Koller, V. (2009). Brand images: Multimodal metaphor in corporate branding messages. Multimodalmetaphor, 11, 45-72.Lazazzera, M. (2024). Six trends shaping the jewellery industry now. Vogue Business. November 4,2024.Lury, C. (2004). Brands: The logos of the global economy. Routledge.Okonkwo, U. (2010). Luxury Online: Styles, Systems, Strategies. Palgrave Macmillan.Truong, Y., McColl, R., & Kitchen, P. J. (2009). New luxury brand positioning and the emergenceof masstige brands. Journal of Brand Management, 16(5), 375-382.

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Call For Papers: From Art Nouveau to Green Design: Fashion, Décor, Fashion Writing

Call For Papers: From Art Nouveau to Green Design: Fashion, Décor, Fashion Writing Volume 15 n. 1, 2025 Editor: Carmen Concilio (Università di Torino)ZoneModa Journal invites you to present proposals for a monographic issue on From Art Nouveau to Green Design: Fashion, Décor, Fashion Writing. The aesthetic of Art Nouveau relied on shapes of flowers and plants, its heydays begin the fin de siècle and the beginning of the twentieth century. Wrought iron was a must material in decoration of railings, balcony parapets, window frames and main entrance doors; wrought iron was mass produced and malleable enough to be made to imitate vegetable life. Nowadays figures of flowers and vegetation have become fashionable again in woven materials for clothes, wall paper and upholstery. The turn green movement is now dominant in the world of fashion and the consumer society in all sorts of design contexts; it deals with, and boosts, the recycling of garments and a large variety of fabrics and objects, the so-called “vintage” fashion, which somehow includes the re-use of “biological” leftovers and “waste”- to a degree in imitation of the artistic movement akin to “arte povera” – in the manufacture of furniture, housewares, garden tools. Examples can be the reuse of orange skin to make compostable, biodegradable tools – through 3D printers – and of nut shells to manufacture items of furniture. This issue of the Journal investigates the role of green aesthetics in fashion, design, and in fashion literature and writing, in the specialized fashion media and in the new media: Submissions Abstracts of no more than 1000 words + 5 bibliographical references (word*.docx format), written either in Italian or English, must be sent to: zmj@unibo.it; carmen.concilio@unito.it. Abstract acceptance does not guarantee publication of the article, which will be submitted to a double-blind peer-review process. Key deadlines ZMJ Vol. 15 N.1 is scheduled to be published by July 2025. https://zmj.unibo.it/announcement/view/657

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European Journal of English Studies (EJES) – Call for proposals for special issues

The European Journal of English Studies is inviting proposals for special issues in volume 30 (2026). EJES takes an interest in topics that investigate the borders and intersections between different research fields in English studies, including, but not limited to, literary analysis, linguistics, critical and cultural theory, and gender and sexuality studies. This expansive focus allows the journal to encompass the plurality of English studies in Europe, a reflection of its affiliation with the European Society for the Study of English (ESSE). Topics of special issues feature high-level scholarship as well as a reflection on the argumentative strategies behind ongoing work and emerging directions in the study of Anglophone language and culture. Guest editing teams should consist of two or three scholars who work in different locations within Europe and who have some previous editorial experience. In some cases, EJES publishes issues that have grown out of a conference or a conference panel. Such issues can be considered if the resulting CFP also appeals to scholars who did not participate in the original event. All submissions undergo a double-blind peer-review process. Proposals for topics for volume 30 (2026) should be sent to the editors before 30 November 2024: Isabel Carrera Suárez (University of Oviedo): icarrera@uniovi.es Katerina Kitsi-Mitakou (Artistotle University of Thessaloniki): katkit@enl.auth.gr Frederik Van Dam (Radboud University, Nijmegen): frederik.vandam@ru.nl Procedure 1. Aspiring guest editors submit a CFP of 300-500 words to the general editors. This document includes a list of leading questions (for examples, see the current CFPs on the ESSE website), and brief biographies of the guest editors. 2. The general editors select new topics for the issues before the end of 2024. The chosen CFPs are edited to cohere with EJES’s aims. 3. During the following calendar year, the resulting CFPs are distributed widely. Abstracts for potential submissions are collected in the spring of 2025 and are reviewed by the guest editors and general editors. 4. Selected authors are then invited to submit full-length essays of between 6,000 and 8,000 words by November 2025. These essays are peer-reviewed and appear in the EJES issues scheduled for 2026.

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CfP: BRNO Studies in English, Special Issue (proposed date, 2025) – Encounters with Water: An Ecolinguistic perspective

BRNO Studies in English, Special Issue (proposed date, 2025) Encounters with Water: An Ecolinguistic perspective Environmental issues have seldom ranked higher in the agendas of public debate. The emergent research paradigm of Ecolinguistics (Fill and Mühlhäusler 2001, Fill and Penz 2018) represents the response to the crisis by ecologically-minded linguists, who may critique underlying socio-cognitive frameworks (Halliday 1990) or dominant anti-ecological narratives (Stibbe 2015). Within this framework, the topic of water occupies a place that is hard to define: though manifestly essential to the survival not just of the human species but to all life forms supported by the Earth, it somehow slips away from our attention. To most first worlders it represents a gift that may easily be taken for granted, while indigenous peoples may be only too aware of issues with access to it (Jackson 2018). Eco-awareness in contemporary social movements is frequently associated with the colour green – with plants, trees, flowers, forests – yet these features of the lifescape depend on the nourishing presence of water, its natural cycles and rhythms. Underlying Ecolinguistics are a range of philosophical and spiritual positions that have been characterised by Norwegian philosopher Arne Naess (1973) as consisting in either ‘shallow’ or ‘deep’ ecological perspectives. In the context of water, the former would refer to social practices that aim to guarantee access to this essential resource for human purposes like drinking, bathing or washing clothes. Such aspects reflect the instrumental view of Nature that typifies our current relationship with water as a resource, primarily as something that has an instrumental value. Deep ecology values water in a more profound sense. Of course, it would value and ‘venerate’ all the ‘ways and forms of life’ (Naess 1973: 95-6) that are found in seas, lakes and rivers. But more, it would seek to nurture a complete, holistic and open-hearted awareness of water as a vital element in our biosphere, and a respect for what it has represented historically and continues to represent today. Both approaches could support Ecolinguistic enquiries: for example, one could emphasise the social value of water, view it as the locus of modern territorial struggles in a context of droughts that motivate human migration. Water may be seen as a token for conflicts between industries that require water to run their factories and local populations who would rather see city parks enriched by unpolluted wetland environments. Alternatively, we could look with the eyes of artists and ecologists at water, towards those who have found spiritual meanings and unfolding identities in their ‘encounters with water’, meanings that connect denizens of the modern world with the ancient, traditional knowledge of indigenous peoples (Gottlieb 2004), and with some of the environmental voices from western literary and cultural traditions. Possible research areas for contributions include, but are not limited to, the following: Contributions should be theoretically grounded in any recognised sub-field of modern linguistics (Discourse Analysis, Pragmatics, Linguistic Ethnography, Critical Discourse Studies, Corpus Linguistics, Multimodality, Argumentation theory, Sociolinguistics, Ecostylistics, Cognitive Linguistics, Systemic Functional Linguistics, Narrative theory, etc.). We also welcome contributions from other research fields which use one or more of these methodologies, in the spirit of expanding the range of Ecolinguistics as a research paradigm. Important dates: Abstract submission: 30th June, notification of acceptance 31st July Submission of paper: 31st December 2024 EMAIL for contributions: encounterswithwater@gmail.com References Fill, Alwin, and Peter Mühlhäusler. 2001. The Ecolinguistics Reader: Language, Ecology, and Environment. London: Continuum. Fill, Alwin, and Hermine Penz, eds. 2018. The Routledge Handbook of Ecolinguistics. New York: Routledge. Gottlieb, Roger S., ed. 2004. This Sacred Earth: Religion, Nature, Environment. 2nd ed. New York: Routledge. Halliday, M. A. K. 2010. On Language and Linguistics. London: Continuum. Jackson, Sue 2018. Indigenous peoples and water justice in a globalizing world. In Conca, K and Weinthal, E. (Eds). Oxford Handbook on Water Politics and Policy. Oxford: Oxford University Press. Naess, Arne. 1973. The Shallow and the Deep, Long-range Ecology Movement. A Summary. Inquiry 16(1–4):95–100. Stibbe, Arran. 2015. Ecolinguistics: Language, Ecology and the Stories We Live By. London ; New York: Routledge, Taylor & Francis Group. Editors of the special issue: Douglas Mark Ponton dponton@unict.it University of Catania, Italy Cristina Arizzi, cristina.arizzi@unict.it University of Catania, Italy

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CfP Lingue “Culture Mediazioni/Languages Cultures Mediation Journal”: “The Language of War: Lexicon, Metaphor, Discourse”

Call for papers Lingue Culture Mediazioni/Languages Cultures Mediation Journal Vol 11 (2024) No 2: “The Language of War: Lexicon, Metaphor, Discourse” Issue nr. 2 vol. 11 (2024) will focus on the following theme: The Language of War: Lexicon, Metaphor, Discourse and will be edited by Dr. Anna Anselmo (Università di Ferrara). Professor Kim Grego (Università degli Studi di Milano) and Prof. Andreas Musolff (University of East Anglia). Authors are cordially invited to submit an article of max. 6.500 words (equivalent to 20 pages of about 2.250 characters including spaces). If the text contains figures, these must be included in the standard 20-page length. From the home page you will have to follow the For Authors link.We recommend that you review the About the Journal page for the journal policies, as well as the Submissions page and the Author Guidelines for information on the upload procedure. All submitted works considered suitable for publication will undergo an anonymous double-blind review process. Deadlines: Deadline for papers submission: June 10th, 2024Request for revision following peer review: by September 10th, 2024Final version due by October 10th, 2024Publication: by December 2024 Contacts: anna.anselmo@unife.it, kim.grego@unimi.it, A.Musolff@uea.ac.uk LCM-journal@ledonline.it, languagesculturesmediationdeib@gmail.com Rationale: This issue aims to offer critical insight into the construal (Fairclough 2003) of war in the discursive public sphere. War can be broadly conceptualised according to van der Dennen, as “a species of the genus of violence”; specifically, it is “collective, direct, manifest, personal, intentional, organised, institutionalised, sanctioned, and sometimes ritualised and regulated violence” (1981). More specifically, war is here intended both as “a flexible trope suitable for an allusion to any serious strife, struggle or campaign” (Dinstein 2018: 5), and as the archetypical “manifestation of international armed conflicts”, regulated by law (Dinstein 2018: 8). However, armed conflicts are not merely international, they can also be intra-national. Against this definitional backdrop, this issue aims to provide a diachronic perspective spanning the long nineteenth-century (from 1789 ca.), the twentieth century up until the present. The long nineteenth century was bracketed by two war events – the French wars, on the one hand, and the Great War, on the other. The twentieth century saw deadly wars, genocide and a rhizomatic multiplication of armed conflict (Deleuze and Guattari 2013) at national and supranational level. The twenty-first century has deterritorialized war (Deleuze and Guattari 2013) by framing several phenomena as war-like, including terrorism and public protest (Steuter and Willis 2008; Hodges 2011). Such scenarios call for a critical appreciation of the role of language use and language users in construing and interpreting war, and for insightful analyses at the level of lexicon and semantics, rhetoric (e.g. metaphor, euphemism) and discourse, conceived as “that part of social and political action that is linguistic” (Chilton 1987). Consequently, contributions may focus on how the Government, the media, political activists and intellectuals, and private individuals write about war. Genres of potential interest are political speeches, parliamentary proceedings, news articles and opinion pieces, political writings, social media, non-fiction, and private letters, among others. The methods employed are rooted in the field of applied linguistics, in particular the following perspectives are deemed relevant: The issue is intended to articulate select foci on discrete war events that may form a discursive constellation and contribute to identifying continuities and discontinuities in how war events were and are linguistically mediated and construed across users and genres. Keywords: Corpus-Assisted Discourse Studies, (Critical) Discourse Analysis, Multimodality, Terminology, Historical Lexicography, War, Conflict. Bibliography Blaxill, L. (2020). The War of Words: The Language of British Elections 1880-1914. Boydell & Brewer. Chilton, P. (1987). Metaphor, Euphemism and the Militarization of Language. Current Research on Peace and Violence, 10(1), 7–19. https://www.jstor.org/stable/40725053 Chilton, P. A. (Ed.). (1998). Political Discourse in Transition in Europe 1989 – 1991. Benjamins. Deleuze, G., Guattari, F., & Massumi, B. (2013). A Thousand Plateaus: Capitalism and Schizophrenia. Bloomsbury Academic. Dinstein, Y. (2018). War, Aggression, and Self-Defence, 6th Edition. Cambridge University Press. Fairclough, N. (2003). Analysing Discourse: Textual Analysis for Social Research. Routledge. Hayes, N., & Hill, J. (Eds.). (1999). Millions Like Us?: British Culture in the Second World War (DGO-Digital original). Liverpool University Press. https://www.jstor.org/stable/j.ctt5vjdhc Heer, H. et al. (Eds.). (2008). The Discursive Construction of History: Remembering the Wehrmacht’s War of Annihilation. Palgrave Macmillan. Hodges, A. (2011). The “War On Terror” Narrative: Discourse and Intertextuality in the Construction and Contestation of Sociopolitical Reality. Oxford University Press. Hodges, A. (2015). War Discourse. In K. Tracy, T. Sandel, & C. Ilie (Eds.), The International Encyclopedia of Language and Social Interaction (1st ed., pp. 1–6). Wiley. https://doi.org/10.1002/9781118611463.wbielsi026 Jackson, R. (2005). Writing the War on Terrorism: Language, Politics, and Counter-Terrorism. Manchester University Press. Kelly, M., Footitt, H. & Salama-Carr, M. (Eds.). (2019). The Palgrave Handbook of Languages and Conflict. Palgrave Macmillan. Kennedy, C. (2013). Narratives of The Revolutionary and Napoleonic Wars: Military and Civilian Experience in Britain and Ireland. Palgrave Macmillan. Pratt, M. L. (2009). Harm’s Way: Language and the Contemporary Arts of War. PMLA/Publications of the Modern Language Association of America, 124(5), 1515–1531. https://doi.org/10.1632/pmla.2009.124.5.1515 Russell, G. (1995). The Theatres of War: Performance, Politics, and Society, 1793-1815. Clarendon Press ; New York : Oxford University Press. Steuter, E., & Wills, D. (2008). At War with Metaphor: Media, Propaganda, and Racism in the War On Terror. Lexington Books. Thorne, S. (2006). The Language of War. Routledge. Walker, J., & Declercq, C. (Eds.). (2021). Multilingual Environments in the Great War. Bloomsbury Academic.

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Call for papers – Rhesis. International Journal of Linguistics, Philology and Literature

Call for papers Rhesis. International Journal of Linguistics, Philology and Literature The call for papers is ongoing and has no deadline. Articles submitted to the Journal are organized into two sections (Linguistics and Philology, and Literature) and will be published on the website as they are accepted, typeset, and finalized for inclusion in the current year’s volume. The yearly volume will close on December 31st of each year. From January 1st 2023 it will be possible to submit essays and scientific studies to the editorial board of the journal Rhesis for the 14.1 (2023) and 14.2 (2023) issue. This invitation is valid for the whole of 2023. The studies will be published on the website when ready, starting from January 1st, 2023. The annual closing of the journal is supposed to be on December 31st each year. The articles submitted after October 30th, 2023 will be automatically considered for the following year’s issue, published with the same procedure starting from January 1st, 2024 to December 31st, 2024. Rhesis uses a double-blind peer-review process to evaluate scientific manuscripts. When an article is submitted to the Journal, the Editorial board reviews it to ensure that it meets the Journal’s scope and standards, which usually takes about one week. If the manuscript is deemed suitable for peer-review, it is sent to two reviewers who are experts in the same field as the author. To ensure objectivity, both the reviewers and the author are kept anonymous from each other. The reviewers usually have four weeks to complete their review and provide feedback to the editors and the authors. The feedback may include suggestions for revisions or improvements to the manuscript. Once the reviews are complete, the Editorial board carefully evaluates the feedback and makes a decision on whether to accept the manuscript for publication, request revisions from the authors, or reject the manuscript. If a manuscript is found to be unsuitable for publication in the journal, either because it does not meet the journal’s scope and standards or because of other reasons, it may be rejected by the Editors without being sent out for review by external experts (Desk rejection). Rhesis. International Journal of Linguistics, Philology and Literature is an international, academic, double-blind peer-reviewed, on line and open access Journal. Rhesis is ranked “rivista scientifica ANVUR” for academic area 10. It is indexed in MIAR and is present in the ACNP, BASE, ROAD, WorldCat databases. The peer-review process is managed through the OJS platform. For further information, please visit the journal website: https://ojs.unica.it/index.php/rhesis/about https://ojs.unica.it/index.php/rhesis/call

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