11 Luglio 2026

New publication: Maria Festa, The New Digital Avant-Garde. Current Postcolonial Migration Narratives, Milano, Mimesis, 2025

This work is a study of current migration narratives within the disciplines of Anglophone Postcolonial Literature and Digital Humanities. Global culture, the proliferation and pervasiveness of telecommunications technologies and new media, particularly the Internet, have substantially affected the act of narrating. The replacement of traditional written language as the primary means of conveying narrative and storytelling is a distinctive feature in: Chimamanda Ngozi Adichie’s Americanah (2013); Reni Eddo-Lodge’s Why I’m No Longer Talking to White People About Race (2017); Warsan Shire’s “Home” (2011, 2016, 2017, 2022) and the narratives produced within the “Refugee Tales” project. These literary and digital projects might well be considered avant-garde manifestos against racism, in favour of gender equality, female empowerment and a humanitarian plea for the compassionate treatment of migrants, refugees and asylum seekers. Maria Festa is a Postdoctoral Fellow at the University of Torino, Department of Foreign Languages and Literatures and Modern Cultures. Her current research focuses on the “Other” in current Western societies through the lens of the Humanities disciplines: English and Anglophone postcolonial literature and its applications in cultural studies, visual studies and digital humanities. Her publications include History and Race in Caryl Phillips’s The Nature of Blood (2020). Foreword by Bénédicte Ledent Cover: PaperbackISBN: 9788869775093Pages: 296Date: 2025Price: $ 33.99 / £ 28.99 / € 27,00

New publication: Maria Festa, The New Digital Avant-Garde. Current Postcolonial Migration Narratives, Milano, Mimesis, 2025 Read More »

New publication: Mariaconcetta Costantini, Ruth Heholt, Gothic Masculinities in the Victorian Age temporary free access 8th July 2026 – 22nd July 2026

Mariaconcetta Costantini, Ruth Heholt, Gothic Masculinities in the Victorian Age, Cambridge Elements, Cambridge University Press, July 2026 Gothic Masculinities in the Victorian Age explores masculinity and the Gothic in the literature of the long nineteenth century. In recent criticism masculinity in the Gothic is most usually discussed as being fractured, unstable, and threatened. Gothic Masculinities examines this fragmentation of gendered identity, but it also considers other types of arguments and representations of men in Gothic literature. The Gothic (genre and mode) is multiple, shifting, changing, multifaceted, and intertextual, and there are significant differences in the types of masculinity depicted. This Element examines the myth and deconstruction of an idealised conception of one whole, unified, hegemonically powerful masculinity, but it also examines some of the many other identities available within the practices of masculinity. The Gothic has always allowed space for subversion and the unconventional and Gothic Masculinities explores and celebrates some unexpected representations of men and their many different and sometimes surprising forms of masculine identity. https://www.cambridge.org/core/elements/gothic-masculinities-in-the-victorian-age/47C0EC66D371DEF1FC08A9686BDA1244

New publication: Mariaconcetta Costantini, Ruth Heholt, Gothic Masculinities in the Victorian Age temporary free access 8th July 2026 – 22nd July 2026 Read More »

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