International Conference “Pleasure and Pain in Women’s Writing” – Organized by IWWA (International Women’s Writing Association) and the L&GEND Research Group (deadline for submissions: April 24, 2026)

9th-11th September 2026
G. d’Annunzio University of Chieti-Pescara, Italy
Conference Venue: Department of Modern Languages, Literatures and Cultures, Pescara

This in-person conference of the International Women’s Writing Association (IWWA), organized in
collaboration with the L&GEND (Literature & Gender Identity) International Research Group, will
be held at G. d’Annunzio University in the Pescara Campus, offering an interdisciplinary and crossperiod
investigation of women’s writing in all its forms, mediums, and expressions.

The conference explores sensations of pleasure and pain in women’s writing, examining how these
experiences are shaped, interpreted and endowed with meaning in texts produced by women across
different cultures and historical periods. As theorized by Henri Bergson, pleasure and pain provide
crucial insights into the past, present and future; they belong to complex sensory systems that resist
automatic responses to the world and contribute to the formation of consciousness. In this sense, they
function as vehicles of resistance, freedom, and awareness (Suzanne Guerlac, Thinking in Time,
2006). By investigating representations of pleasure and pain, the conference aims to foster critical
reflection on how women narrate intense, gendered sensory experiences, how they foreground the
social consequences of women’s emotional vulnerability, and how they articulate forms of strategic
restraint alongside assertions of individual freedom to experience pleasure or suffering with intensity.

Speakers are invited to examine these dynamics in a variety of genres, forms of cultural production
and media, including written literature and the digital, poetry and prose, the popular and the canonical,
creative and factual writing, life-writing and biographies, theories and histories, screen and script,
films and television. We encourage the exploration of collaborative and individual works, of
imaginative practices and women’s realities, of representation of personal and public issues, across a
wide range of disciplines, time periods, cultures and texts.
We welcome submissions for individual twenty-minute papers as well as for full panels and
workshops. Topics might include, but are not limited to:

● Women’s writing on page, stage, and screen
● The portrayal and evolution of pleasures and pains across different periods and genres
● Cultural, historical, and social contexts for pleasure and pain
● Trauma in women’s writing

● Representations of physical and psychological pain
● Solidarity and difference
● Views of forbidden and conventional pleasure
● Women’s sexual pleasures and pains
● Intellectual pleasure/pain
● Technologies and pleasure/pain
● Women writing love and romance
● Narratives of abuse
● Consent and intimacy on the page and screen
● Performing pleasures and/or pain
● Love and loss
● Writing the pleasure and pain of women’s lives
● The portrayal of pleasure and pain in global fictions and narratives
● The ways in which pleasure and pain challenge or reinforce social norms
● The pleasure of the text
● Bestsellers, blockbusters, and popular writing
● Representing the pleasures and pains of women’s authorship
● The Gothic’s fascination with pleasures and pains
● Reclaiming and resisting pain
● Pleasure, pain, and power
Keynote speakers of the conference will be Marilena Parlati (University of Padua, Italy), Joanne
Ella Parsons (Falmouth University, UK) and Jennifer Schnabel (Ohio State University, US).

Submissions:
Proposals should include a title, an abstract of 250-300 words, a brief biographical note (up to 100
words), and contact details. Panel and workshop proposals are very welcome.
Please submit your proposals in a Word document to the team at iwwaitaly@gmail.com by 24th
April 2026 making it clear that you are submitting for the Pescara conference. We encourage
submissions from scholars at all stages of their careers, including early career researchers,
independent scholars, and postgraduate students. Interdisciplinary approaches and innovative
methodologies are welcome.
All participants will be given free membership of the International Women’s Writing Association for
2026.

deadline for submissions: April 24, 2026
contact email: iwwaitaly@gmail.com

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