Literature

Call for Papers – Narrating Conflict and Human Rights: Literature as Witness, Archive and Agent of Change European Journal of English Studies, volume 31 (2027)

Guest editors: Tomasz Kalaga (Kujawy and Pomorze University in Bydgoszcz), Tiziana Ingravallo (University of Foggia), Loredana Salis (University of Sassari) The realities of conflict, including violations of human rights and the struggle for peace, provide rich thematic material for literary works. Literature can serve as a powerful tool for social change by denouncing injustices, fostering empathy, and engaging with injustices via its negotiation of the concepts of truth, reconciliation, and transitional justice. Writers can challenge official narratives surrounding conflict by giving voice to marginalised perspectives, exposing human rights abuses to a wider audience, and making invisible suffering visible. Literature, as an advocate for social change and human rights, raises awareness of ongoing conflicts and offers alternative understandings of historical events and their consequences. Operating through its innate symbolic quality and the power of telling and retelling myths, it can be approached as a dynamic arena capable of unsettling dominant epistemologies, reconfiguring what could be collectively claimed as justice. As a counter-discourse to official histories, literature has the potential to offer new ways of restoring a sense of humanity and shared responsibility by condemning all forms of imperialism and totalitarianism. This issue will reflect on and explore ways in which conflict can be narrated and the extent to which texts of literature contribute to defending or violating human rights. It also reflects on how language can justify and/or ignore human rights transgressions. The issue takes an interest in articles that investigate the ability of literary texts to interrogate and explore the legacies of political and civil conflict around the world as well as creating and (unwittingly) reinforcing hegemonic narratives. We welcome essays on a wide range of genres, including fiction, poetry, drama, memoir, testimony, speculative and activist writing, as well as works in translation, adaptation, journalism, and visual or digital storytelling. Although articles can address any topic related to literature and human rights, we are keen to receive proposals on five interrelated areas of literary engagement: a) literary depictions of experiences of war, displacement, surveillance, disenfranchisement, or environmental destruction; b) the role of literature in defining and articulating the concept of justice, documenting abuses, bearing witness to trauma, and narrating resistance and reconciliation; c) literary negotiations of power dynamics in conflict settings, including propaganda literature, translation and adaptation of conflict narratives, portrayals of nationalism and resistance movements, and the symbolic language of conflict and resolution; d) the concept of literature as magistra vitae in which historical insight is intertwined with visions of a more just future; e) narrative forms shaped by conflict, including fragmented storytelling and genre innovation, as well as activist literature addressing the intersections of human rights, environmental destruction, and the more-than-human world. Possible topics include (but are not limited to): ● Activist literature: from human rights violations to environmental destruction ● Activist role of literature: models for socio-cultural transformations, inclusive societies, transnational belongings ● Beyond the anthropocentric: rights of species, rivers, forests ● Censorship and dissent: literature as subversion and alternative standpoint ● Entanglements of ecology and power: resource wars, extractivism, forced displacement ● Individual freedom and human dignity vs human rights violations, surveillance, oppression, disenfranchisement ● Journalism, conflict and human rights ● Literature and justice: shaping and reshaping the notion of what is or can be just ● Literary depictions of ecological trauma and conflict: decolonial and indigenous perspectives, ● Literature as an archive of environmental injustice: resistance narratives, testimonies and speculative fiction and non-fiction. ● Magistra vitae: when history and hope rhyme ● Narrating nationalism, nationalists and nationalist causes ● Postcolonial and decolonial perspectives: alternative epistemologies of justice, restitution, and ecological interconnectedness ● Post-traumatic memory ● Propaganda literature ● The language of conflict and conflict resolution: myths and symbols retold ● The role of human rights in research on law and literature ● Translation and adaptation Detailed proposals (up to 1,000 words) for full essays (6,000-8,000 words) as well as a short biography (max. 100 words) should be sent to the editors by 15 January 2026: Tomasz Kalaga (t.kalaga @kpsw. edu. pl), Tiziana Ingravallo (tiziana. ingravallo @unifg. it), and Loredana Salis (lsalis@uniss.it). Selected authors should be able to submit a full-length draft by the end of May 2026, and a final version by mid-September. This issue will be part of volume 31 (2027). All inquiries regarding this issue can be sent to the three guest editors.

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CALL FOR PAPERS: (Un)natural Stevenson Wild Transgressions across Literature, Ecology, Science and Gender, Ca’ Foscari – University of Venice 11-12 May 2026 (aula Baratto)

Organizers: Lucio De Capitani & Alessandro Cabiati This conference aims to explore the concept of nature/natural in Robert Louis Stevenson’s work, broadly understood as to intersect with several of Stevenson’s intellectual, ethical and artistic engagements: reflections on literary criticism/style, conceptions of gender and sexuality, visions of science, anthropological and psychological notions of the human, and ecological/ecocritical considerations. It suggests the possibility that the Stevensonian ‘natural’ may also, as a matter of course, evoke its other – the ‘unnatural’ – either to uphold the boundary between the two or, perhaps more intriguingly, to cross it. Connected to this, the conference aims to investigate Stevenson both as a writer of dichotomies/dualisms and of their wild transgressions. Topics include but are not limited to:   Proposals (200-300 words) for twenty-minute papers should be sent to the organisers by November 30, 2025 (alessandro.cabiati@unive.it, lucio.decapitani@unive.it). Please include your email address, institutional affiliation, and a short bionote (100 words) Please find the FULL TEXT of the call for papers at: https://www.cfplist.com/CFP/45365

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CALL FOR PAPERS Workshop: Literature and Sport – Genre and Gender 10 December 2025 University of Aosta Valley/online

  CALL FOR PAPERS   Workshop: Literature and Sport – Genre and Gender10 December 2025 University of Aosta Valley/onlineThe University of Aosta Valley is happy to announce a hybrid workshop on Literature and Sport – Genre and Gender to be held on 10 December 2025. KeynotesDr. Roberta Grandi, University of Aosta Valley, ItalyProf. Armela Panajoti, University of Vlora “Ismail Qemali”, AlbaniaProf. Angelika Reichmann, Eszterházy Károly University, Hungary Fuelled by such critically acclaimed films as Chariots of Fire (1981), Million Dollar Baby (2004) or Invictus (2009), recently re envigorated discussions of representation have a growing interest in sports in visual media. This interest has produced such insightful analyses of sports’ role in performing gender as for instance Viridiana Lieberman’s Sports Heroines on Film (2015) or various chapters in Sports, Film and National Culture (2021). Nonetheless, no systematic study of this aspect is discernible in literary studies, though relevant texts, like Bernard Malamud’s The Natural (1952) or Naomi Benaron’s Running the Rift (2010), abound. In this workshop, we discuss sport(s) in Anglophone fiction, with the aim to analyze the various forms of representations—cultural, social, political—featuring sports in literatures in English since the late 19th century. We scrutinise, specifically, the interrelationships of gender, genre and sports, bearing in mind that genres are “cultural categories” associated “with the cultural practices of the society [i.e. social groups] in which they are produced,” and thus “[w]hen writers make use of a genre which has traditionally been an avenue of expression for another […] group, they attempt to make that form of expression relatable to other […] groups of people.” With a view to publishing the proceedings of the workshop and the ESSE seminar held in Lausanne (2024) on a similar topic as a thematic volume with Palgrave Macmillan, the organisers invite proposals for 20-minute online presentations focussed on issues of gender in sports fiction, including but not limited to:– Performativity of gender and sports– Binary constructions in sports fiction: masculine vs. feminine; heterosexual vs. homosexual– Sports and society: social interaction, power relations, and identity construction—local, national, regional, international—through sports;– The rhetoric of sports: heroes, celebrities and sports discourse in the public sphere;– Gender (under)representation in sports literature Please submit your 250-word abstracts and a short bio-note (about 100 words) to Angelika, Armela and Roberta at reichmanna@gmail.com; armelap@assenglish.org and r.grandi@univda.it by 20th September 2025. Submission deadline for manuscripts (5-7,000 words including notes and Works Cited, parenthetical notes in MLA style): 15th February 2026. Please note that the organisers are also planning to submit the Palgrave book proposal by 15th February 2026.  

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