Literature

Calls for abstracts/papers: Textus 2027 (Language, Literature, Cross-Disciplinary)

Dear AIA members, We are glad to announce that we have just published the calls for abstracts/papers for all of the three issues of Textus for 2027 (Language, Literature, Cross-disciplinary issue). Please find the full calls in the attached files. Best regards, The AIA Board CALL FOR ABSTRACTS – Textus 1/2027 – LANGUAGE Language, Discourse, and Digital Tourism: Communicating Sustainability and Inclusion Guest editors: Silvia Cavalieri & Annalisa Sezzi (University of Modena and Reggio Emilia), Eleonora Federici (University of Ferrara) and M. Zain Sulaiman (University of Kebangsaan Malaysia – The National University of Malaysia).     Copyeditor:Jessica Jane Nocella (University of Modena and Reggio Emilia) Please send abstracts to: silvia.cavalieri@unimore.it, eleonora.federici@unife.it,  annalisa.sezzi@unimore.it  Timeline Deadline for abstracts submission (400 words plus references): 30 April 2026. Please put as subject line “Textus Language Issue 1/2027 – abstract submission” Notification to authors: 15 May 2026 Deadline for submission of first draft of article (maximum 7500 words including references): 31 August 2026 Request for revisions following peer review: 15 October 2026 Deadline for final version of article: 15 December 2026 ______________________________________________________________ CALL FOR ABSTRACTS – Textus 2/2027 – LITERATURE Regional Perspectives, Planetary Reach. Themes, Genres, Forms of Narration in Contemporary Irish, Scottish and Welsh Fiction Guest editors: Rossella Ciocca (University of Naples L’Orientale), Marta Cariello (University of Campania Luigi Vanvitelli) and Vanessa Guignery (École Normale Supérieure de Lyon) Copyeditor: Robin Lindsay (University of Naples L’Orientale) Please send abstracts to: rciocca@unior.it, marta.cariello@unicampania.it Timeline: Deadline for abstracts submission (400 words plus references): 15 September 2026. Please put as subject line “Textus Literature Issue 2/2027 – abstract submission” Notification to authors: 30 September 2026 Deadline for submission of first draft of article (maximum 7500 words including references): 31 December 2026 Request for revisions following peer review: 15 February 2027 Deadline for final version of article: 15 April 2027 ______________________________________________________________ CALL FOR ABSTRACTS –Textus 3/2027 – CROSS-DISCIPLINARY ISSUE Echoes of Grieving in Anglophone Linguistic, Literary, and Cultural Representations Guest editors: Marina De Chiara (University of Naples L’Orientale), Ester Gendusa (University of Palermo) and Lynne Segal (Birkbeck College, University of London) Copyeditor: Marie-Hélène Laforest Please send abstracts to: maradechiara@gmail.com, ester.gendusa@unipa.it, l.segal@bbk.ac.uk Timeline Deadline for abstracts submission (400 words plus references): 15 December 2026. Please put as subject line “Textus Cross-disciplinary Issue 3/2027 – abstract submission” Notification to authors: 15 January 2027 Deadline for submission of first draft of article (maximum 7500 words including references): 31 May 2027 Request for revisions following peer review: 15 July 2027 Deadline for final version of article: 1 September 2027

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CFP ESSE 2026 Seminar n. 14.- Beyond Words: Literary, Cultural, and Linguistic Multimodality in Joseph Conrad’s Narratives (deadline 31 January 2026)

14.- Beyond Words: Literary, Cultural, and Linguistic Multimodality in Joseph Conrad’s NarrativesJoseph Conrad’s narratives serve as a compelling case study for multimodal exploration, blending literary, linguistic, and cultural dimensions into rich, evocative works. This seminar examines how multimodal approaches illuminate Conrad’s complex storytelling, focusing on the interplay between linguistic structures, literary techniques, and cultural contexts. By studying works such as Heart of Darkness and Lord Jim through a multimodal lens, we uncover the myriad ways Conrad crafts narratives that resonate across boundaries of language, imagery, and ideology. From a linguistic perspective, Conrad’s use of layered language – marked by subtleties, ambiguities, and multilingual influences – offers insights into the tension between precision and interpretation, a hallmark of his writing style. For instance, the frequent inclusion of polysemous expressions and deliberate syntactic disruptions mirrors the fragmented realities his characters endure. Such linguistic strategies reflect Conrad’s own experience as a polyglot navigating cultural and linguistic hybridity, lending his texts an inherent multimodal quality. Literary criticism highlights Conrad’s innovations in narrative form and technique, such as his use of frame narratives and unreliable narrators, which invite readers to engage critically with his texts. These devices create a multimodal interplay between textual layers and meanings, fostering a dynamic interpretative process. For instance, Conrad’s frame narrative in Heart of Darkness juxtaposes oral storytelling with textual accounts, producing a narrative experience that transcends singular modalities. On a cultural level, Conrad’s thematic focus on colonialism, modernity, and existential angst provides fertile ground for multimodal analysis. The cultural contexts embedded in his works – whether through geographical descriptions, historical references, or ideological critiques – reveal a depth of engagement that transcends mere storytelling, creating a network of semiotic connections. In such context, multimodal analysis enriches traditional literary criticism by incorporating visual, auditory, and cultural dimensions, reflecting the complexity of contemporary textual interaction in an increasingly digitized and globalized world. This seminar underscores the potential to engage with recent critical approaches, highlighting how multimodal analysis aligns with contemporary emphases on interdisciplinarity, cross-cultural perspectives, and the integration of diverse media forms. By integrating linguistic precision, literary criticism, and cultural analysis, this seminar not only deepens our understanding of Conrad’s works but also underscores the significance of multimodality as a framework for exploring literature in its broadest dimensions. CONVENORS:

CFP ESSE 2026 Seminar n. 14.- Beyond Words: Literary, Cultural, and Linguistic Multimodality in Joseph Conrad’s Narratives (deadline 31 January 2026) Read More »

Call for Papers – Narrating Conflict and Human Rights: Literature as Witness, Archive and Agent of Change European Journal of English Studies, volume 31 (2027)

Guest editors: Tomasz Kalaga (Kujawy and Pomorze University in Bydgoszcz), Tiziana Ingravallo (University of Foggia), Loredana Salis (University of Sassari) The realities of conflict, including violations of human rights and the struggle for peace, provide rich thematic material for literary works. Literature can serve as a powerful tool for social change by denouncing injustices, fostering empathy, and engaging with injustices via its negotiation of the concepts of truth, reconciliation, and transitional justice. Writers can challenge official narratives surrounding conflict by giving voice to marginalised perspectives, exposing human rights abuses to a wider audience, and making invisible suffering visible. Literature, as an advocate for social change and human rights, raises awareness of ongoing conflicts and offers alternative understandings of historical events and their consequences. Operating through its innate symbolic quality and the power of telling and retelling myths, it can be approached as a dynamic arena capable of unsettling dominant epistemologies, reconfiguring what could be collectively claimed as justice. As a counter-discourse to official histories, literature has the potential to offer new ways of restoring a sense of humanity and shared responsibility by condemning all forms of imperialism and totalitarianism. This issue will reflect on and explore ways in which conflict can be narrated and the extent to which texts of literature contribute to defending or violating human rights. It also reflects on how language can justify and/or ignore human rights transgressions. The issue takes an interest in articles that investigate the ability of literary texts to interrogate and explore the legacies of political and civil conflict around the world as well as creating and (unwittingly) reinforcing hegemonic narratives. We welcome essays on a wide range of genres, including fiction, poetry, drama, memoir, testimony, speculative and activist writing, as well as works in translation, adaptation, journalism, and visual or digital storytelling. Although articles can address any topic related to literature and human rights, we are keen to receive proposals on five interrelated areas of literary engagement: a) literary depictions of experiences of war, displacement, surveillance, disenfranchisement, or environmental destruction; b) the role of literature in defining and articulating the concept of justice, documenting abuses, bearing witness to trauma, and narrating resistance and reconciliation; c) literary negotiations of power dynamics in conflict settings, including propaganda literature, translation and adaptation of conflict narratives, portrayals of nationalism and resistance movements, and the symbolic language of conflict and resolution; d) the concept of literature as magistra vitae in which historical insight is intertwined with visions of a more just future; e) narrative forms shaped by conflict, including fragmented storytelling and genre innovation, as well as activist literature addressing the intersections of human rights, environmental destruction, and the more-than-human world. Possible topics include (but are not limited to): ● Activist literature: from human rights violations to environmental destruction ● Activist role of literature: models for socio-cultural transformations, inclusive societies, transnational belongings ● Beyond the anthropocentric: rights of species, rivers, forests ● Censorship and dissent: literature as subversion and alternative standpoint ● Entanglements of ecology and power: resource wars, extractivism, forced displacement ● Individual freedom and human dignity vs human rights violations, surveillance, oppression, disenfranchisement ● Journalism, conflict and human rights ● Literature and justice: shaping and reshaping the notion of what is or can be just ● Literary depictions of ecological trauma and conflict: decolonial and indigenous perspectives, ● Literature as an archive of environmental injustice: resistance narratives, testimonies and speculative fiction and non-fiction. ● Magistra vitae: when history and hope rhyme ● Narrating nationalism, nationalists and nationalist causes ● Postcolonial and decolonial perspectives: alternative epistemologies of justice, restitution, and ecological interconnectedness ● Post-traumatic memory ● Propaganda literature ● The language of conflict and conflict resolution: myths and symbols retold ● The role of human rights in research on law and literature ● Translation and adaptation Detailed proposals (up to 1,000 words) for full essays (6,000-8,000 words) as well as a short biography (max. 100 words) should be sent to the editors by 15 January 2026: Tomasz Kalaga (t.kalaga @kpsw. edu. pl), Tiziana Ingravallo (tiziana. ingravallo @unifg. it), and Loredana Salis (lsalis@uniss.it). Selected authors should be able to submit a full-length draft by the end of May 2026, and a final version by mid-September. This issue will be part of volume 31 (2027). All inquiries regarding this issue can be sent to the three guest editors.

Call for Papers – Narrating Conflict and Human Rights: Literature as Witness, Archive and Agent of Change European Journal of English Studies, volume 31 (2027) Read More »

CALL FOR PAPERS: (Un)natural Stevenson Wild Transgressions across Literature, Ecology, Science and Gender, Ca’ Foscari – University of Venice 11-12 May 2026 (aula Baratto)

Organizers: Lucio De Capitani & Alessandro Cabiati This conference aims to explore the concept of nature/natural in Robert Louis Stevenson’s work, broadly understood as to intersect with several of Stevenson’s intellectual, ethical and artistic engagements: reflections on literary criticism/style, conceptions of gender and sexuality, visions of science, anthropological and psychological notions of the human, and ecological/ecocritical considerations. It suggests the possibility that the Stevensonian ‘natural’ may also, as a matter of course, evoke its other – the ‘unnatural’ – either to uphold the boundary between the two or, perhaps more intriguingly, to cross it. Connected to this, the conference aims to investigate Stevenson both as a writer of dichotomies/dualisms and of their wild transgressions. Topics include but are not limited to:   Proposals (200-300 words) for twenty-minute papers should be sent to the organisers by November 30, 2025 (alessandro.cabiati@unive.it, lucio.decapitani@unive.it). Please include your email address, institutional affiliation, and a short bionote (100 words) Please find the FULL TEXT of the call for papers at: https://www.cfplist.com/CFP/45365

CALL FOR PAPERS: (Un)natural Stevenson Wild Transgressions across Literature, Ecology, Science and Gender, Ca’ Foscari – University of Venice 11-12 May 2026 (aula Baratto) Read More »

CALL FOR PAPERS Workshop: Literature and Sport – Genre and Gender 10 December 2025 University of Aosta Valley/online

  CALL FOR PAPERS   Workshop: Literature and Sport – Genre and Gender10 December 2025 University of Aosta Valley/onlineThe University of Aosta Valley is happy to announce a hybrid workshop on Literature and Sport – Genre and Gender to be held on 10 December 2025. KeynotesDr. Roberta Grandi, University of Aosta Valley, ItalyProf. Armela Panajoti, University of Vlora “Ismail Qemali”, AlbaniaProf. Angelika Reichmann, Eszterházy Károly University, Hungary Fuelled by such critically acclaimed films as Chariots of Fire (1981), Million Dollar Baby (2004) or Invictus (2009), recently re envigorated discussions of representation have a growing interest in sports in visual media. This interest has produced such insightful analyses of sports’ role in performing gender as for instance Viridiana Lieberman’s Sports Heroines on Film (2015) or various chapters in Sports, Film and National Culture (2021). Nonetheless, no systematic study of this aspect is discernible in literary studies, though relevant texts, like Bernard Malamud’s The Natural (1952) or Naomi Benaron’s Running the Rift (2010), abound. In this workshop, we discuss sport(s) in Anglophone fiction, with the aim to analyze the various forms of representations—cultural, social, political—featuring sports in literatures in English since the late 19th century. We scrutinise, specifically, the interrelationships of gender, genre and sports, bearing in mind that genres are “cultural categories” associated “with the cultural practices of the society [i.e. social groups] in which they are produced,” and thus “[w]hen writers make use of a genre which has traditionally been an avenue of expression for another […] group, they attempt to make that form of expression relatable to other […] groups of people.” With a view to publishing the proceedings of the workshop and the ESSE seminar held in Lausanne (2024) on a similar topic as a thematic volume with Palgrave Macmillan, the organisers invite proposals for 20-minute online presentations focussed on issues of gender in sports fiction, including but not limited to:– Performativity of gender and sports– Binary constructions in sports fiction: masculine vs. feminine; heterosexual vs. homosexual– Sports and society: social interaction, power relations, and identity construction—local, national, regional, international—through sports;– The rhetoric of sports: heroes, celebrities and sports discourse in the public sphere;– Gender (under)representation in sports literature Please submit your 250-word abstracts and a short bio-note (about 100 words) to Angelika, Armela and Roberta at reichmanna@gmail.com; armelap@assenglish.org and r.grandi@univda.it by 20th September 2025. Submission deadline for manuscripts (5-7,000 words including notes and Works Cited, parenthetical notes in MLA style): 15th February 2026. Please note that the organisers are also planning to submit the Palgrave book proposal by 15th February 2026.  

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